As 2018 inches closer to the finish line, I always find it interesting and enjoyable to go back over the year through my photos, and remember who I was with, where I was, what I was doing, and what else was going on in my life at that moment. My images are very much a part of who I am, and while they may evoke different meanings for others, based on their own experiences at the places I photograph, for me, they are reminders of the accomplishments, challenges, and big moments of the past year.
2018 has been no different. Overall, 2018 was an incredibly good year for me. I did more exploring of Maine, found some new spots, revisited some old ones. Crossed Vermont off the list of states I hadn’t visited yet, and taught some workshops at some of my favorite locations.
This year, I found I had more photos than usual make the cut. I also wanted to give each photo some love and give a brief explanation of the image, so this edition covers from January through June. Stay tuned for part 2, which will be posted next week.
As always, all of my images can be purchased as prints at my website. Without further comment, here is 2018 in review, in chronological order:
As much as I’ve explored the Maine coast, there is still plenty I haven’t photographed yet. I’m continually amazed at all the beautiful corners I keep finding. I’ve spent some time up in the Rockland area, especially at Marshall Point, but hadn’t spent much time at Owls Head. The main reason being that the lighthouse there isn’t all that dramatic; it’s a stubby 30 foot tower at the top of a bluff overlooking Penobscot Bay. It’s also a difficult spot to photograph. There’s not much room at the top next to the lighthouse and the best way to photograph the lighthouse from a distance is from a boat on the water, which I don’t have ready access to.
Regardless of these obstacles, I like lighthouses and it felt like a serious omission to have not photographed this one yet. So I got out of bed at 4:30am (ouch) and made my way out to Owls Head State Park. Despite promising weather reports, I arrived to overcast skies and intermittent rain. The sunrise I had hoped for never materialized, but I set about making the most of my time, since I’d gotten up so early and had a meeting in Rockland at noon, which meant I couldn’t just call it a morning and head for home.
Frustrated that the weather wasn’t cooperating, I decided to try the beach at Owls Head State Park. From the beach, you look across the bay toward Rockland and in the distance can see Mount Battie in Camden Hills State Park. All I saw was a series of gray tones. I had some rocks on the shoreline, a vast expanse of water,and then the hills in the distance. I decided right then that I wanted to capture an image with strong graphic elements that highlighted the tones. I figured a long exposure of several minutes would flatten out the water and give me a series of gray transitions that would allow the foreground rocks to stand out in contrast with the sharp textures they provided, and in the distance the darker hills would be the end the transitions of gray, white, and black against the light colored misty sky.
I used a Benro Filters 10-stop neutral density filter to give me a four minute exposure, which was more than enough to give me a flat look on the water, and a misty look around the rocks in the foreground. The rising tide ended up covering the rocks more than I expected, so there were fewer rocks in the final exposure. It’s surprising how fast the tide comes in in just four minutes!
Once I finished on the beach, I made my way to another beach on the other side of the peninsula, a short walk away. There, the light started to change and the sun made an appearance. The clouds began to thin out a little bit, creating more drama. I made one image on this beach and then decided to go redo every shot I’d taken of the lighthouse, but this time with better skies.
Completing that task, and with more time to kill before my meeting, I decided to head over to Marshall Point Lighthouse, about a 20 minute drive away. I didn’t have much time there but made two images, including the one that closes this post. All in all, a productive day for me at a place that I hadn’t photographed before.
Once I had determined I was relocating to Maine in September of 2016, I was told by several people that I simply had to visit Vaughan Woods and Homestead in Hallowell. They kept calling it “Hobbitland” and said that I would love photographing there.
They weren’t wrong. The path through the woods is calm and peaceful, and all along Vaughan Brook are so many picturesque corners that it’s easy for me to spend hours there, my eye to the viewfinder, or looking at the scene and determining how I can find one more unique composition to capture.
I find Vaughan Woods absolutely sings in Autumn, when the leaves are changing, the air is cool and crisp, and the brook is murmuring softly as it bubbles along under the charming stone arch bridges that span it. There’s a warm, inviting feeling as you meander down the trail and come up one of the bridges, a waterfall cascading down the rocks that line the brook.
When I photograph in these woods, maybe it’s the reference to Tokien’s shire from the Hobbit series, or maybe it’s just the peacefulness that I feel there, but I like to give the scenes a dreamy quality, using longer exposures to blur the water. I use Benro Master Filters to manage my exposure. It’s difficult to know what the light will be like once I get to the location I’m shooting, and if I have more light than I need to achieve the shutter speed I want, I won’t get the image I see in my head. Using a Benro 4-, 5-, 6- or 10-stop neutral density filter, I know I can always achieve the effect I’m looking for when it comes to longer exposures.
Normally when I walk through Vaughan Woods, I follow the trail down to the dam first, where a small stone arch bridge and cascade lies. For the photographs in this post, I had decided I wanted to capture the falls at the High Arch Bridge because it had been raining a few days earlier and they would be running full. Last year when I visited, the weather had been much dryer and the falls were just a trickle.
There is also a small cascade upstream that I wanted to spend some time photographing as well. After capturing the falls near High Arch Bridge, the sun began to shine directly on the falls- never a good thing for photographing waterfalls, so I headed upstream, where I knew this small cascade wouldn’t be getting any sun for some time. I ended up spending about three hours at this spot.
I’ve now visited each autumn since I moved to Maine. I guess Vaughan Woods in the fall is becoming a tradition.
It’s been eight years since I was last there, but Alaska is a place that has stayed with me every day since I’ve left. I was lucky enough to spend 10 days there in 2010, with 5 of those days spent camping in Denali National Park. We camped at Wonder Lake, and I remember how magnificent the view was as we rode the park bus all the way in to Wonder Lake Campground. The sun was shining with lots of clouds hovering around Denali like a crown on its head.
As we made camp, I was shaking with anticipation of the beauty that awaited us the next day. I had planned to hike the tundra, amongst the kettle ponds, grabbing shots of Denali reflecting in the glacial waters. The next morning, we took a flight over the mountains where I captured some of the most spectacular images of my life. However, shortly after our flight ended, the rains moved in and remained for two days.
The third day, the rains let up and we got some hiking in, but clouds continued to shroud the mountain and keep Denali in hiding. I was able to make a few images I liked, but it wasn’t what I had originally planned, so there was a level of disappointment. As a landscape photographer, you don’t always get to dictate the weather so I made the most of things.
The next day, we boarded the park bus around sunrise for the six hour trip back to the park entrance and four hour drive back to Anchorage. As we were riding along the park road, the skies began to clear and Denali showed her face through the clouds. It was still heavily cloudy, but the little peeks through the clouds made for some interesting images of the mountains.
Returning to Denali is definitely on my list, but the images I captured allow me to relive the last visit each time I look at them. To see more from my trips to Alaska, visit my website.
The Smokies are an amazingly beautiful location to photograph, featuring grand vistas with the mountains layered one on top of the other, mist hanging in the valleys, as well as intimate landscapes as water from a mountain stream cascades over rocks as wildflowers grow on the banks. Wildlife roams the park and it’s an excellent opportunity to capture the various species at home in the Smokies. I’ll be assisting Don Toothaker on this one. Don and I have over 50 years combined experience as photographers, and years of experience teaching photography to others. Join us in the Smokies and experience what a magical place it can be in springtime.
Midcoast Maine & Pemaquid Point
Wednesday May 16 to Sunday May 20
Mid-Coast, including Bristol, Maine
Featuring lighthouses, harbors, and the shore
Instructors: Rick Berk
Recommended prerequisite: Basic Knowledge of your Camera
Midcoast Maine is glorious any time of year, but can be especially fun in the spring. Since relocating to Maine in 2016, I’ve spent plenty of time exploring as many of the little nooks, coves, and villages of the midcoast. We’ll explore New Harbor, Pemaquid Point, Marshall Point, Port Clyde, and more. There will be opportunities for wildlife, featuring osprey and eagles preying on alewife as they make their spawning run. We’ll also explore some night photography if weather permits.
Last week I had the pleasure of being one of the instructors on a Hunt’s Photo Adventure in Woodstock, Vermont. We had a full class of attendees of varying abilities, and a beautiful area of the country to use as our subject. Workshops like this are fun because of the exchange of ideas that goes on between experienced photographers, and the numerous lightbulb moments that happen with the less experienced photographers when explaining various principles of photography, or helping them get past a specific challenge.
We based ourselves in Woodstock, Vermont, and visited several landmarks, such as Jenne Farm, Cloudland Road, and a maple sugar shack. Unfortunately, Mother Nature chose not to cooperate fully. While we had some fresh snow when we awoke Saturday morning, skies had been gray Friday afternoon when we started, and remained after the snow Saturday morning. Well, photographers nutty enough to get up before dawn and spend hours outside in the cold aren’t about to be deterred by a little flat light and gray skies! So we got out there and made images with the light we had.
I always enjoy seeing how different people see the same subject differently. It helps me to look deeper into a scene, look harder for a shot besides the obvious, and makes me a bit envious when someone sees something I didn’t! At the same time, I enjoy when I saw something differently than others did, and can help them see it as well.
The other challenge for me is the technical help people need with their cameras and lenses. This is less fun than the creative side for me, but just as important. When you have a group of 10 or 12 photographers, you can potentially get 12 different cameras. Not everyone needs assistance but you never know who will. Thankfully, I’m familiar with most brands to one degree or another, having put in seven years working for Canon, shooting Nikon for the past three and a half, and a Fuji kit for a year as well. I can pretty much find any setting on most cameras given enough time.