Last week, I posted Part 1 of my year in pictures for 2018. This week, I pick up Part 2 in July. It’s really been an incredible year, personally and professionally for me. I hope all of you have a great finish to 2018, and an amazing start to 2019.
As always, my work is available at my website in the form of prints, home goods, and more. Check it out!
As 2018 inches closer to the finish line, I always find it interesting and enjoyable to go back over the year through my photos, and remember who I was with, where I was, what I was doing, and what else was going on in my life at that moment. My images are very much a part of who I am, and while they may evoke different meanings for others, based on their own experiences at the places I photograph, for me, they are reminders of the accomplishments, challenges, and big moments of the past year.
2018 has been no different. Overall, 2018 was an incredibly good year for me. I did more exploring of Maine, found some new spots, revisited some old ones. Crossed Vermont off the list of states I hadn’t visited yet, and taught some workshops at some of my favorite locations.
This year, I found I had more photos than usual make the cut. I also wanted to give each photo some love and give a brief explanation of the image, so this edition covers from January through June. Stay tuned for part 2, which will be posted next week.
As always, all of my images can be purchased as prints at my website. Without further comment, here is 2018 in review, in chronological order:
Ok… so… maybe I’m not the best at this blog thing. I’ve written here intermittently since about 2009, but haven’t really been consistent with it. The past two years I’ve tried to post more regularly, with varying degrees of success depending on what’s going on in my life. For the past few weeks, I’ve been going through images from 2018 trying to choose the best for my Best Of post to recap my year photographing. It’s fun for me to go back and look at images I made over the past year, and remember what life was like at those times.
As I was reviewing this year’s images, I realized that I hadn’t done a post reviewing 2015. 2015 was a pivotal year for me in my photography life. My career was totally turned upside down- I had left Canon USA the year before to join Lytro. For the first half of 2015, I criss-crossed the country training camera stores on Lytro’s cutting edge refocusing technology. While I was excited about this new tech, and their camera, I also still saw a place for traditional stills, so my Nikon (you read that right) was always with me as I traveled. In March 2015, Lytro threw up its hands, deciding that they didn’t have what it took to bring their ground-breaking technology to the photography world at large. I was kept around to help get rid of stock, but my time there was done by July.
So a good portion of this portfolio represents time when I was on the road for Lytro. And the rest is what I did after Lytro gave up and cut all us photo types loose, thinking they could make more headway developing for virtual reality instead. Spoiler alert: They didn’t.
2015 became a crossroads of sorts for me. My landscape work took noticeable steps forward. I saw a lot of personal growth, stemming from personal trials and tribulations. But I’m still here, still clicking, still growing. It’s amazing how much things can change in three years.
When I first began traveling to Maine 20 years ago, Portland Head Light was one of those places that was just magical to me. The natural beauty and the aura of the lighthouse perched atop the rocky shore, waves pounding below, make it such a draw for photographers and tourists alike. One of the things I feared when I moved here was that, having this landmark in such close proximity would somehow diminish its meaning to me, and I would begin to take it for granted.
Just over two years after my move, I am happy to report that my fears were unfounded. I still love photographing the lighthouse, and the surrounding landscape, as often as I can. In many ways, having it so close by is too easy, and I must force myself to look elsewhere to capture the Maine landscape, for fear of overdoing it at Portland Head.
A couple of weeks ago, I was at work and noticed the sky was setting up for what could be a really beautiful sunset. Big puffy clouds, breaks in between, bright sun, and best of all, high tide with a full moon surf that meant big breaking waves on the rocks. My beautiful fiancée was kind enough to run my camera bag to me at work and once my shift ended, I raced over to Portland Head Lighthouse to capture the sunset.
I arrived 15 minutes before sunset and quickly made my way to the spot I envisioned for my shot. I knew, if the waves were big, I wanted to get a spot where the crashing on the rocks would be prominent. I also knew this one angle would allow me to face back to the west just a bit, to get the color from the setting sun in the shot. I scrambled over the rocks and made my way out to my perch. By this time, I only had a few minutes of light left, so I quickly started making some images. Since I was short on time and light, I concentrated on my first composition and just timing waves, trying to get the perfect wave on the rocks. After a few minutes I had one that I liked, so I changed lenses, and shifted my composition slightly to get something a little different. Where I was, I didn’t have a lot of room to change my angle, so the changes in composition have more to do with zooming than anything else.
As soon as I got my second shot, the park closing warning began, so I packed up and made my way home.
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Autumn has always been one of my favorite times of year. The crisp, cool air, coupled with the smells of leaves burning, fireplaces burning logs, and the smells of seasonal baked goods (pumpkin spice, anyone?), as well as the vibrant colors, just make fall a cornucopia of sensory stimuli. Since adopting Maine as my home last year, I’ve made sure to enjoy all that autumn in New Englad has to offer visually, by getting out and exploring just a bit.
Last year, I’d discovered Vaughan Woods, in Hallowell, Maine, after a friend suggested I check it out. I wasn’t disappointed, so of course, I had to go back this year. The stone bridges and Vaughan Brook with its waterfalls, are quintessential New England. When the color is exploding in the trees, there is no place in New England that is more picturesque. This year, my return was in the form of a photo walk with several other photographers. The brook was flowing nicely, with small whirlpools forming in certain spots, and good color in the trees.
There are two stone bridges in Vaughan Woods. When you start down the trail, the first bridge you come to is a smaller one, with a small three foot waterfall flowing just in front of it. A pool had formed with colored leaves in the bottom of the pool. I used a Benro Master Filters circular polarizer to minimize the reflection on the surface of the pool and allow me (and my camera) to see into the water and let those leaves on the bottom come through.
The second bridge, known as Arch Bridge, is much taller, and spans a taller waterfall on Vaughan Brook. I scrambled down the rocks along the brook and found an angle I liked that allowed me to show the rocks, the bridge, the foliage, and the brook. I again used the polarizer to help deepen the blue of the sky, along with a Benro Filters 4-stop ND filter to slow down my shutter speed and allow the water to blur a bit and get that creamy look.
A couple of weeks later, on another photo walk, I ventured down to Newburyport, Massachusetts, to Maudslay State Park. There was still good color on the trees, and while I captured several shots I liked, the two I’m sharing here are my favorites. As we walked along the trail through the park, this scene caught my eye. There was soft warm sunlight hitting this orange tree, causing it to appear to glow. It was a beautiful scene and I spent several minutes capturing it before the light changed and the tree stopped glowing.
Further along the trail, as the sun was getting lower in the sky, I came upon another tree. This one also showed orange leaves, and with the sun shining through them, they also appeared to glow. The sun slowly moved down and I was able to capture a sun star as the sun shone between two branches. It was the perfect way to end the day.
Another day also ended perfectly, just a few days before. I’d been driving around looking for somewhere to photograph at sunset. I instantly thought of Bowdoin Mill in Topsham, Maine. This mill had intrigued me since the first time I’d seen it so I decided to go and try to find an angle to photograph it from. I found a spot, but the skies were heavily clouded. Soon, the clouds moved and for ten minutes I was blessed with this incredibly soft warm light. The mill glowed as it was reflected in the Androscoggin River, and the clouds picked up a warm tone from the late afternoon sun.
It’s scenes like this that make me look forward to autumn every year.