Most tourists who visit Mount Desert Island and Acadia National Park, tend to stick to Bar Harbor and the Park Loop Road and visit the most heavily trafficked sites in the area. Unfortunately, this means they miss out on some of the most beautiful scenery on the east coast of the United States. There are plenty of nooks and crannies to explore that most people never get to. On a recent Hunt’s Photo Adventure to Acadia National Park that I was an instructor on, we visited some of the lesser known areas of the park, in addition to the tried and true destinations.
This fall, I will be teaching on the Hunt’s Photo Adventure to Solon, Maine. Located in Central Maine, Solon is the perfect location to capture the beauty of autumn in Maine. There are still some seats left, so register now!
The Smokies are an amazingly beautiful location to photograph, featuring grand vistas with the mountains layered one on top of the other, mist hanging in the valleys, as well as intimate landscapes as water from a mountain stream cascades over rocks as wildflowers grow on the banks. Wildlife roams the park and it’s an excellent opportunity to capture the various species at home in the Smokies. I’ll be assisting Don Toothaker on this one. Don and I have over 50 years combined experience as photographers, and years of experience teaching photography to others. Join us in the Smokies and experience what a magical place it can be in springtime.
Midcoast Maine & Pemaquid Point
Wednesday May 16 to Sunday May 20
Mid-Coast, including Bristol, Maine
Featuring lighthouses, harbors, and the shore
Instructors: Rick Berk
Recommended prerequisite: Basic Knowledge of your Camera
Midcoast Maine is glorious any time of year, but can be especially fun in the spring. Since relocating to Maine in 2016, I’ve spent plenty of time exploring as many of the little nooks, coves, and villages of the midcoast. We’ll explore New Harbor, Pemaquid Point, Marshall Point, Port Clyde, and more. There will be opportunities for wildlife, featuring osprey and eagles preying on alewife as they make their spawning run. We’ll also explore some night photography if weather permits.
The first time I visited Maine, in 1998, the first place I visited, other than the bed and breakfast we stayed at, was Cape Neddick lighthouse, otherwise known as the Nubble light. The Nubble is a small rocky island about 100 yards off shore in the Gulf of Maine. The view of the lighthouse from the shore, evokes romanticized images of a lightkeeper diligently keeping watch, keeping the beacon illuminated to assist ships at sea. I found myself immediately drawn to the Nubble, as so many other photographers have been- Cape Neddick Lighthouse is among the most photographed in the world.
It’s been a while since I saw a truly spectacular sunrise at the Nubble, so on Monday I decided to head out and see if something would materialize. Unfortunately, the clouds hung around longer than the weather report I was following predicted, so I ended up with a gray morning without much color. Thankfully, the clouds moving through were dramatic, so I decided to think in terms of some dramatic black and white imagery. The surf was churning due to a storm at sea that had left the area the day before, so I knew the waves washing over the rocks would create interesting patterns as well, which would also render nicely in black and white.
For the main image in this post, I decided I wanted to try a long exposure. I’d been getting exposures of about 1/3 of a second and knew I wanted at least one minute. I had already been using a Benro 4-stop soft edge graduated neutral density filter to hold down the exposure in the sky, so I pulled out my Benro 10-stop neutral density filter to give me a dramatically slower shutter speed. My shutter speed for this exposure was one minute and 18 seconds. This allowed me to get dramatic movement in the sky and caused the water get a softer, misty look.
Since most of my work usually consists of more vibrant color, working in black and white tends to be a rare occasion for me. I did manage to get a few color shots as well. As the morning wore on the sun poked out from behind the clouds and added a little warm light to the scene. Then, I ventured back on Wednesday and sunrise was slightly more colorful. Just slightly. So after months of not having photographed the Nubble at all, I spent two mornings this week trying to capture new images there. I still haven’t gotten my spectacular sunrise there, but I’ll keep trying.
Winter in Maine is both a magical and arduous season. While the cold can be bitter and yes, even deadly, Maine’s natural beauty shines even in the winter, especially after a fresh blanket of snow has fallen. This winter, I have found myself photographing in temperatures as low as -14°F (with a wind chill of -24°F), but have captured some of the most beautiful scenes I’ve come across in the state.
The roads to Pemaquid Point weren’t too bad, and the fresh snow was beautiful on the evergreen trees along the roadsides, and the temperature, at 18°F, wasn’t as bitterly cold as I’d experienced earlier in the month. I arrived at Pemaquid Point lighthouse to find that while the entrance to the park had been plowed, the lot itself had been untouched, and no one else had been there. I parked and didn’t see a footprint in the fresh snow anywhere. Perfect.
Not wanting to disturb the pristine blanket of snow, I thought for a moment about how I wanted to plan my images. I didn’t want any footprints in my images, and I knew I wanted to get down on the rocks below the lighthouse to get the snow covered rocks in the foreground and the lighthouse in the background. I made my way to the far end of the parking lot and walked towards the rocks along the edge of the property. I knew there was a path down onto the rocks there and I could work my back to where I thought my images were going to be made. The big question was going to be how treacherous the rocks would be with fresh snow and ice.
I made my way down, slipping once or twice but not too badly, and found the scene as I’d pictured it in my mind. Fresh snow covering the layered rocks as the sky began to glow with the rising sun. It was perfect. I made a few exposures and moved along the rocks to a couple of other spots, before climbing back up and making my way to the other side of the lighthouse for some images there. As the sun rose to my left, the undulations of the ground cast shadows and revealed the textures of the fresh snow. Still, no one else had been to the park except for one car that pulled in, got out and took a cellphone shot, and left as quickly as they came. I eventually saw some footprints other than mine- presumably those of a fox or other small mammal exploring the rocks.
It was exactly the type of morning that restores peace to my soul, and refreshes my mind. And exactly the type of morning that makes it worth it to get out of bed at 4:45am and bundle up for a few hours outside.
One of the things I love about Maine is the climate. Some may say I’m crazy, but harsh though it may be, Maine winters offer every bit as much beauty as the other three seasons. Yes, it’s a bit more difficult to photograph in the elements, but it’s no less rewarding.
For the past week or so, Maine has been under a deep freeze, with temperatures below 20° for the better part of 10 days or so. Lows have been in the negatives during that time. While those conditions are daunting, they create some spectacular visuals. In our case along the coast, one of the most beautiful phenomenon the frigid temperatures bring is known as sea smoke. Sea smoke (also known as frost smoke or steam fog) is formed when very cold air moves over warmer water. It is common in the Arctic, and happens in Maine and New England during a particularly cold spell.
On New Year’s Eve, looking at the weather conditions for the next day, I decided I would get up at sunrise to capture the sea smoke as the rising sun filtered through it, creating this warm and spectacular light. So the night before, I planned my excursion, setting out 2 pairs of pants, 4 shirts, wool socks, boots, heavy jacket, fleece hat and facemask, and gloves. Then I dug out hand warmers (thanks Mom!) and toe warmers (Mom again) to put inside my gloves and boots.
I awoke at 5:30am on New Year’s Day to a temperature of -14°F. While the urge to stay under my warm blankets was strong, I forced myself to get up and head out. My first stop was Portland Head Lighthouse. I’d always wanted to photograph it in winter, with snow on the rocks, and the warm glow of the morning sun. Upon arriving at the lighthouse, I met a few other photographers of similarly questionable sanity, noting that the temperature was still -14°F.
I made my way out onto the rocks, careful to watch my step as there was snow and ice everywhere. I wanted an angle a bit different from the usual shot most people get from the fence at the top of the bluff. I hopped the fence and tried a few different locations on the rocks, first with my Nikon 24-120mm lens, but I wasn’t really thrilled with the composition I was getting, so I switched to my Sigma 14mm f/1.8 Art lens and suddenly the scene came alive for me. I love the look of ultrawide angle lenses, and the Sigma 14mm is superb. Wide angles force me to consider foreground interest in the composition, making for more interesting compositions.
After I felt I’d gotten what I wanted out of Portland Head Light for the day, I decided to head over to Spring Point Ledge Lighthouse in South Portland. I had seen other photographers’ images from the previous few days, and was incredibly jealous that I couldn’t get out due to my work schedule, so this was my chance to create a few of my own.
While I did get one image with the 14mm lens that I liked, here the 24-120mm lens was more appropriate. So I once again switched lenses and went back to work. With the tide coming in at Portland Harbor, the huge chunks of ice began to float out a bit, creating an interesting foreground as the lighthouse emerged from the fog into the bright morning sun. It was a breathtaking sight to behold.
All told I spent about two and a half hours outside in sub-zero temperatures photographing the sea smoke around two lighthouses. After we got back into the car- I had my girlfriend braving the cold with me- we headed to Becky’s Diner for an amazing New Year’s Day breakfast. And to thaw out a bit.
Autumn has always been one of my favorite times of year. The crisp, cool air, coupled with the smells of leaves burning, fireplaces burning logs, and the smells of seasonal baked goods (pumpkin spice, anyone?), as well as the vibrant colors, just make fall a cornucopia of sensory stimuli. Since adopting Maine as my home last year, I’ve made sure to enjoy all that autumn in New Englad has to offer visually, by getting out and exploring just a bit.
Last year, I’d discovered Vaughan Woods, in Hallowell, Maine, after a friend suggested I check it out. I wasn’t disappointed, so of course, I had to go back this year. The stone bridges and Vaughan Brook with its waterfalls, are quintessential New England. When the color is exploding in the trees, there is no place in New England that is more picturesque. This year, my return was in the form of a photo walk with several other photographers. The brook was flowing nicely, with small whirlpools forming in certain spots, and good color in the trees.
There are two stone bridges in Vaughan Woods. When you start down the trail, the first bridge you come to is a smaller one, with a small three foot waterfall flowing just in front of it. A pool had formed with colored leaves in the bottom of the pool. I used a Benro Master Filters circular polarizer to minimize the reflection on the surface of the pool and allow me (and my camera) to see into the water and let those leaves on the bottom come through.
The second bridge, known as Arch Bridge, is much taller, and spans a taller waterfall on Vaughan Brook. I scrambled down the rocks along the brook and found an angle I liked that allowed me to show the rocks, the bridge, the foliage, and the brook. I again used the polarizer to help deepen the blue of the sky, along with a Benro Filters 4-stop ND filter to slow down my shutter speed and allow the water to blur a bit and get that creamy look.
A couple of weeks later, on another photo walk, I ventured down to Newburyport, Massachusetts, to Maudslay State Park. There was still good color on the trees, and while I captured several shots I liked, the two I’m sharing here are my favorites. As we walked along the trail through the park, this scene caught my eye. There was soft warm sunlight hitting this orange tree, causing it to appear to glow. It was a beautiful scene and I spent several minutes capturing it before the light changed and the tree stopped glowing.
Further along the trail, as the sun was getting lower in the sky, I came upon another tree. This one also showed orange leaves, and with the sun shining through them, they also appeared to glow. The sun slowly moved down and I was able to capture a sun star as the sun shone between two branches. It was the perfect way to end the day.
Another day also ended perfectly, just a few days before. I’d been driving around looking for somewhere to photograph at sunset. I instantly thought of Bowdoin Mill in Topsham, Maine. This mill had intrigued me since the first time I’d seen it so I decided to go and try to find an angle to photograph it from. I found a spot, but the skies were heavily clouded. Soon, the clouds moved and for ten minutes I was blessed with this incredibly soft warm light. The mill glowed as it was reflected in the Androscoggin River, and the clouds picked up a warm tone from the late afternoon sun.
It’s scenes like this that make me look forward to autumn every year.