When I first discovered Maine for myself in 1998, I fell in love with many of the things most people think of when they think of Maine: lighthouses, the rugged coastal landscape, lobster boats, lobster rolls, and the New England charm that permeates the various towns dotting the coastline. And while the coastline is still what draws me, there’s so much more to this gorgeous state than lighthouses and lobster (lobstah?) rolls. There are little hidden preserves, that once found, envelop you in the calm of the bay and the shade of evergreens growing right up next to the rocky shoreline. Drive a little north, and there are waterfalls tucked away in the hills, waiting for someone to come take a swim. There are mountain vistas with views that stretch for miles. And yes, head up the coast and there are quaint fishing villages and harbors around every bend.
My point is, after nearly a year here, I still feel like I’ve only scratched the surface of places to photograph and explore. And it’s a small scratch at that. I think nothing of getting up at 3am to catch a sunrise somewhere 2 hours away, as I did with the photo below of Height of Land. There are new ways to see places I’ve been before, such as I did with the image of Spring Point Ledge Lighthouse by climbing the hill overlooking the lighthouse. And less than 20 minutes from my home is Littlejohn Island Preserve, a small preserve as peaceful and quiet as it gets, with a short easy hiking trails and beautiful views of Casco Bay.
Still so many places I need to see: Katahdin Woods & Waters National Monument, West Quoddy Head, Machias, more of the lakes region, and the mountains. I feel like it might take me the next 20 years to see it all. So stay tuned. There will be pictures.
As I continue to explore my new home state of Maine, I am continually blown away by the natural beauty I find. And the different personalities some places seem to exhibit depending on the weather. A perfect example is Harpswell, Maine. I had been told several times this was an area I should visit but had only ever gotten to a spot on the southern tip of Bailey Island, known as Land’s End. While it’s a pretty spot, it didn’t really speak to me photographically.
Another spot that was mentioned to me was Giant’s Stairs, also on Bailey Island. I had no idea what I’d find, but earlier this month, I finally got there for a sunrise. Unfortunately, while the weather report was “partly cloudy”, which generally means a colorful sunrise, Bailey Island was covered in a dense fog. I decided to give it a shot anyway. In the past, I’ve seen fog burn off as the sun rose, giving way to glorious color. I hoped that would happen again.
As I waited for the sun to rise, I tried to get some haunting images of the rocky coastline and crashing waves as the fog enveloped the area. I never got the color I was hoping for, but I did get some interesting light as it filtered through the mist. One shot in particular, Bailey Island Coastline, captured exactly what I love about the Maine coast. The fury of the ocean, the mystery of the fog, and the ruggedness of the rocky shoreline.
While I was happy with what I had captured on that foggy morning, I decided I wanted to go back and capture a more colorful sunrise. So several days later I watched the weather reports and went back when things looked good. While I got some color in the sky, and nice warm sunlight, the ocean itself was more calm. It was low tide and the waves weren’t nearly as dramatic as they were several days earlier. While on the previous shoot, the mood was angry and mysterious, the mood this time was calm and peaceful. Another example of why it can be good to revisit locations again and again.
On my way back from the sunrise shoot, as I approached Bailey Island Cribstone Bridge, I looked left and noticed several boats at anchor in the harbor. I also noticed the sun creating a beautiful golden color in the clouds, and lighting up the lobster shack across the harbor. I quickly pulled over and grabbed my camera and framed up a few shots. What I ended up with was kind of a quintessential Maine image. Lobster boats in the foreground with a lobster restaurant in the background.
I continue to find these little corners of Maine, just waiting for me and my camera. I can’t wait to find the next one.
I like photographing any time there is good light, be it midday, afternoon, evening, or morning. My favorite time of all though, is sunrise. There is soemthing magical about sunrise- that change from dark, to light that happens. But more than that, there is a peace and calm in the air that isn’t there later in the day. The air hasn’t been disturbed by people going about their business. There aren’t many cars on the road, there aren’t many people walking around.
When I get to a location for a sunrise shoot, there’s always a bit of trepidation on my part. The calm and quiet is almost unsettling. You hear the birds beginning to stir, maybe some of the nocturnal creatures in the underbrush. You step a little more carefully.
When I get to my shooting spot, often times it’s a place I’ve been to during the day, so I have some idea of what it will look like as the light comes up. But it’s always different in the dark; more mysterious somehow. As the light slowly comes up, everything changes. The glow on the horizon becomes more intense, the sky is revealed, and the trees and rocks begin to take on more detail and definition.
My favorite part of shooting at sunrise is the solitude. There’s so much overload these days- cell phones, computers, people at work, people we meet during the day. It’s nice to get that hour or two to myself, to enjoy the birdsong, the sunrise, that start of the day. It’s a reset, in a way. And it gives me something to talk about to those people who may not have been able to tear themselves away from their blankets at such an early hour!
One of the great things about the times we live in, as a photographer, is the abundance of information being shared about where we go to photograph. I often enjoy discovering a place on my own, but many times, there are hidden gems we just don’t know about that we only discover when someone else mentions them to us.
Such was the case when, this past Saturday, I was browsing one of the many Facebook photography groups I belong to when I came across a photo someone shared of Bald Head Cliff, in Cape Neddick, Maine. I’d been through the area many times before, but this location is a bit hidden, as it is right behind a hotel and restaurant known as The Cliff House. It had never occurred to me that such a beautiful location existed beyond the views of the Atlantic Ocean afforded by the rooms of the hotel.
As you walk behind the hotel, there is a walk along the rocks that jut out into the ocean. These rocks lend a lot of interest to the foregrounds of photos and the southeast facing shoreline is perfect for capturing sunrise. Once I found the location I scrambled down onto the rocks to find a good vantage point for the sunrise, as well as a good foreground for my shots. Unfortunately, the sunrise never materialized, hiding behind a thick gray wall of clouds. But the Atlantic Ocean put on a display of its fury as the previous day’s winter storm was churning the ocean, and large waves pounded the rocks.
The ocean was more than a bit intimidating, so I was careful where I set up, and though I desperately wanted to get closer to add some drama to the images, I chose to stay at a safe distance. I still almost got wet once or twice, but managed to avoid any catastrophes.
The images you see here are the result of my morning at Bald Head Cliff. I definitely plan on visiting again, to try and get a more dramatic sunrise, but even though the sunrise was a bit on the dull side, the ocean gave me plenty to see and photograph.
I first visited Acadia, albeit briefly, in 1999. On that rainy November day, I visited Bass Harbor Head Lighthouse, took a few photos (on film) and quickly made my retreat as the weather continued to worsen and I had a four hour drive back to the B&B at which I was staying. Though my first visit to Acadia was brief – I didn’t even get into Bar Harbor – I knew it was a place I would be compelled to return to over and over, and if possible, make my home on the Maine coast in the future.
Now, 18 years later, I’m living in Freeport, Maine and have made multiple visits to Acadia National Park. Each time I discover something new, or visit a place I’ve seen before and witness it’s spectacular beauty yet again.
There are so many spots to choose from, it’s difficult to choose a favorite. The Park Loop Road, which passes such great spots as Boulder Beach, Thunder Hole, and Otter Cliffs, is breathtaking. Jordan Pond, in its quiet woodland serenity, is simply rejuvenating. And Bass Harbor Head, with the classic New England lighthouse perched high upon the cliff, evokes thoughts of maritime storms and lighthouse keepers watching over the coastal traffic.
Sunrise is my favorite time of day in Acadia. The tourists have yet to invade the park, and the only sounds are that of the ocean waves washing over the rocky shores, and the sea birds singing their morning songs. The light is soft and warm and there are photo opportunities everywhere.
In June, I will be leading a workshop for Worldwide Photo Tours, leading photographers to some of my favorite spots, and teaching my tried and true techniques for landscape photography. For more information visit Worldwide Photo Tours. Join me in Maine!
The first Monday after I relocated to Maine was Labor Day. I decided to head out and photograph at a spot I hadn’t photographed in about 6 years. The weather reports promised partly cloudy skies, a light breeze, and higher than normal tides due to a hurricane in the Atlantic. The conditions seemed right for some dramatic images.
On a personal level, the churning tides reflected the emotions I was feeling, as my life was in the midst of undergoing dramatic changes, in a year filled with them. I craved the solitude sunrise usually brings, but on this morning, Labor Day, the park was filled with many photographers and vacationers catching the last sunrise of their summer vacation. As I hopped the fence and scrambled down the rocks to this location, I met another photographer and had a brief conversation, exchanging pleasantries and making sure that the spot I’d chosen wouldn’t interfere with the shot he’d composed and was now waiting for. There always seems to be a bit of camaraderie among us idiots that like to rise before the sun and then get out and capture it.
Using a Nikon D810, I selected the AF Nikkor 16-35mm f/4 lens and set it to 35mm for this composition. I like this lens for several reasons. It’s sharp, relatively compact, and it’s ultra-wide angle allows me to emphasize foregrounds and take in expansive vistas. In addition, its 77mm front diameter means it’s easily filtered, unlike ultra-wide angle lenses with a bulbous front element. Once I settled in to my spot, I knew that as the sun rose, I would need to balance the brighter sky with the darker foreground. For this image, I used a Vü Filters Sion Q soft-edged graduated neutral density filter to keep the sky exposure in balance with the foreground. This enabled me to capture the brilliant orange tones of the rising sun, as well as the subtle texture of the thin layer of clouds overhead.
When photographing a landscape such as this, I am almost always mounted on a tripod. I like to manipulate the appearance of the water in an image by using different shutter speeds. A few earlier exposures using longer shutter speeds produced unsatisfactory results because the long exposure caused the raging waters to appear as fog. I wanted to capture the individual waves, the churning of the water in the cove, the crashing of the waves on the rocks. To do this, I raised my ISO to 400 and set my aperture to f/8, which resulted in a shutter speed of 1/3. I’ve found that shutter speed to be right about perfect for capturing water’s motion without freezing it too much and eliminating the sense of motion. A quick check of my histogram confirmed I was not clipping either in the highlights or shadows, so I moved on to other compositions after this capture.
As I capture all images as RAW files, I needed to process the image in Adobe Camera RAW. I opened the file and immediately use the highlight slider to further bring down my highlight areas and use the Shadows slider to open up shadow detail. The resulting image appears flat and lacks contrast and saturation, which is what I need for the next step. After opening in Photoshop, I use Nik Collection’s Color Efex Pro 4’s Brilliance and Warmth to build color saturation back up, and Pro Contrast to build the contrast up to a more pleasing level. This workflow gives me the freedom I like to target only certain areas of an image if I choose, as well as use adjustment layers and masking if necessary. This image required nothing more than the Color Efex Pro 4 application.
The final image captured not only a beautiful sunrise and end of summer scene, but also my personal emotions at the time. The churning seas, the lighthouse keeping watch, and the bright colors of sunrise all matched the turmoil I was dealing with, as well as the hope I felt at my new beginning.
As 2016 comes to an end, I wanted to gather a few of my favorite images that I made over the course of the year and share them in a single place. In what was a trying year for me personally, I was able to get to some beautiful locations and capture some of the natural beauty I found. Please feel free to share your thoughts on the images I captured.