As 2018 inches closer to the finish line, I always find it interesting and enjoyable to go back over the year through my photos, and remember who I was with, where I was, what I was doing, and what else was going on in my life at that moment. My images are very much a part of who I am, and while they may evoke different meanings for others, based on their own experiences at the places I photograph, for me, they are reminders of the accomplishments, challenges, and big moments of the past year.
2018 has been no different. Overall, 2018 was an incredibly good year for me. I did more exploring of Maine, found some new spots, revisited some old ones. Crossed Vermont off the list of states I hadn’t visited yet, and taught some workshops at some of my favorite locations.
This year, I found I had more photos than usual make the cut. I also wanted to give each photo some love and give a brief explanation of the image, so this edition covers from January through June. Stay tuned for part 2, which will be posted next week.
As always, all of my images can be purchased as prints at my website. Without further comment, here is 2018 in review, in chronological order:
The Nubble Lighthouse, in Cape Neddick, Maine, is a favorite for photographers, tourists, and locals alike. I first visited the Nubble 20 years ago on my first trip to Maine. It was a cold night in December and the full moon was up. There was snow on the ground and the Nubble was lit up for Christmas. It was magical, quintessential New England coast.
I took a few photos that night, on film, as I was three years from getting my first digital SLR, and unfortunately, I have no idea where those negatives are. But now that I live in Maine, I try to visit the Nubble every so often to try and capture something new.
It’s almost impossible to make a bad photo here. My preference is to photograph at sunrise, with the sky aglow and some color in the clouds, and when the tide is high to get dramatic waves crashing on the rocks. On this particular morning, the sky didn’t cooperate as I’d have liked, but the tide did. One of my favorite things is capturing water rushing over the rocks, so I tried a few compositions with varying shutter speeds to change the movement, and these were my favorites.
Before I moved to Maine, one of my favorite places to visit was always the Old Port in Portland. The mix of old architecture, restaurants and boutiques made it a must whenever I traveled to Maine for business or pleasure. The centerpiece of the old port for over 100 years the United States Custom House, straddling the area between Fore Street and Commercial Street, right on the waterfront.
The Custom House was built between 1867 and 1872, designed by Alfred B. Mullet, who was the Supervising Architect of the Treasury from 1865 to 1874. There was a need for a new Custom House after the Great Fire of July 4, 1867. The fire had destroyed 1800 buildings in the center of Portland, including the Exchange Building, which had housed the customs office, post office, and several other federal offices.
While I had often admired the building from the street, I had never photographed it. I could never find the right angle, or find a time when the street wasn’t filled with cars parked at the curb. Just by chance, I was in the Old Port one day and happened to park in a parking garage and noticed that I had a clear line to the building with no wires overhead. The next step was picking the right time of day.
From the angle I had on the roof of the parking garage, the waters of Portland Harbor and the islands in Casco Bay were plainly visible. I also knew that the sunrise would be visible behind the building on a clear day, and I assumed the streets would be relatively clear early in the morning. I arrived just as the parking garage opened and made my way to the roof and set up. All I had to do was compose, and wait.
I decided a graduated neutral density filter would help balance the exposure between the sunrise in the sky and the darker foreground of the Custom House, so I used a a Benro 4-stop Hard Edge Graduated Neutral Density filter, and placed the transition exactly on the horizon in the background. This allowed me to open up the shadows on the face of the Custom House and still maintain the orange glow that was present in the sky, that the camera would have lost on its own without some help.
I had planned to also take some images from street level, but by the time I completed my work on the roof of the parking garage, a truck had parked itself in front of the building, making it impossible to get a clean shot, so I called it a successful morning and headed to find some breakfast!
One of the things I love about Maine is the climate. Some may say I’m crazy, but harsh though it may be, Maine winters offer every bit as much beauty as the other three seasons. Yes, it’s a bit more difficult to photograph in the elements, but it’s no less rewarding.
For the past week or so, Maine has been under a deep freeze, with temperatures below 20° for the better part of 10 days or so. Lows have been in the negatives during that time. While those conditions are daunting, they create some spectacular visuals. In our case along the coast, one of the most beautiful phenomenon the frigid temperatures bring is known as sea smoke. Sea smoke (also known as frost smoke or steam fog) is formed when very cold air moves over warmer water. It is common in the Arctic, and happens in Maine and New England during a particularly cold spell.
On New Year’s Eve, looking at the weather conditions for the next day, I decided I would get up at sunrise to capture the sea smoke as the rising sun filtered through it, creating this warm and spectacular light. So the night before, I planned my excursion, setting out 2 pairs of pants, 4 shirts, wool socks, boots, heavy jacket, fleece hat and facemask, and gloves. Then I dug out hand warmers (thanks Mom!) and toe warmers (Mom again) to put inside my gloves and boots.
I awoke at 5:30am on New Year’s Day to a temperature of -14°F. While the urge to stay under my warm blankets was strong, I forced myself to get up and head out. My first stop was Portland Head Lighthouse. I’d always wanted to photograph it in winter, with snow on the rocks, and the warm glow of the morning sun. Upon arriving at the lighthouse, I met a few other photographers of similarly questionable sanity, noting that the temperature was still -14°F.
I made my way out onto the rocks, careful to watch my step as there was snow and ice everywhere. I wanted an angle a bit different from the usual shot most people get from the fence at the top of the bluff. I hopped the fence and tried a few different locations on the rocks, first with my Nikon 24-120mm lens, but I wasn’t really thrilled with the composition I was getting, so I switched to my Sigma 14mm f/1.8 Art lens and suddenly the scene came alive for me. I love the look of ultrawide angle lenses, and the Sigma 14mm is superb. Wide angles force me to consider foreground interest in the composition, making for more interesting compositions.
After I felt I’d gotten what I wanted out of Portland Head Light for the day, I decided to head over to Spring Point Ledge Lighthouse in South Portland. I had seen other photographers’ images from the previous few days, and was incredibly jealous that I couldn’t get out due to my work schedule, so this was my chance to create a few of my own.
While I did get one image with the 14mm lens that I liked, here the 24-120mm lens was more appropriate. So I once again switched lenses and went back to work. With the tide coming in at Portland Harbor, the huge chunks of ice began to float out a bit, creating an interesting foreground as the lighthouse emerged from the fog into the bright morning sun. It was a breathtaking sight to behold.
All told I spent about two and a half hours outside in sub-zero temperatures photographing the sea smoke around two lighthouses. After we got back into the car- I had my girlfriend braving the cold with me- we headed to Becky’s Diner for an amazing New Year’s Day breakfast. And to thaw out a bit.
Last week, I had planned to go out and photograph at sunrise. Originally, I had planned to photograph at Spring Point Ledge Lighthouse in South Portland. When I arrived, I noticed the sky was setting up to be one of “those” sunrises, where the clouds filled the sky just enough that they would pick up some color and add interest. I then also realized that if I wanted to make the most of it, Spring Point Ledge was the wrong place to be. It faced the wrong direction to really see all the color and get the sun in the shot. I quickly made the decision to head to Portland Head Lighthouse instead.
I’m not unique in the fact that Portland Head Lighthouse is one of my favorite places to photograph in Maine. But I’ve found that it’s like every other oft-photographed icon: no matter how many photos there are of it, every individual can put their own stamp on it and make a photo they can call their own. On this day, I got to Portland Head just in time to find a spot and get set up before the show began. And I noticed there wasn’t another photographer in sight.
After a few false starts, I found a spot I was happy with and started making images. At first, a huge dark cloud had moved in and I wondered if the sunrise would be a bust. But as the sun continued to rise, the clouds continued to move and soon they began to turn a bright pink and then finally, the sky exploded into oranges and red, contrasted with purple in the darker clouds. It was one of the most amazing sunrises I’ve seen.
As the waters of Casco Bay pounded the rocks just below me, I continued making exposures as the light continued to change. I was splashed by the occasional wave and watched the sun break the horizon, the clouds changing colors. The whole show lasted maybe five minutes.
After the sun came up, I moved over to the other side of the lighthouse and used the soft morning light a little more. I finished up and headed out to find breakfast.
Since moving to Maine last year, Baxter State Park and Mount Katahdin have been on my list of places I need to explore. I could really use at least a week there, but a few weeks ago, when I found a free 36 hours, I decided to jump in the car and drive the four hours up to Millinocket, Maine, to get my first taste of Katahdin. I met a friend up there and spent the day hiking and photographing.
After checking in at my motel, I headed to a spot I’d heard about that I was told would be good for sunset, as well as possible night sky photos. So I made my way down the Golden Road to Abol Bridge and waited for the right light. As the sun went down, the light on Katahdin’s peaks glowed a warm orange, while the mountain was reflected in the waters of Nesowadnehunk Deadwater.
I set up on the bridge, which was problematic because the bridge bounced when anyone walked on it. Any long exposure would be ruined simply by me moving, or someone else stepping onto the bridge. Something to be aware of as the light went down. As the sun set to my left, I used a Benro Slim Circular Polarizer to help deepen the colors in the sky, and a Benro 3-stop soft-edged graduated neutral density filter to help equalize the exposure between the sky and the foreground.
I waited for darkness to see about shooting the night sky, but hikers coming off the Appalachian Trail were continually crossing the bridge, making long exposures for stars difficult. In addition, the sky had a heavy haze, making stars faint and difficult to focus. I decided to call it a night and head back to the motel so I could be ready for sunrise.
The next morning, not having had the chance to scout many spots and also feeling that my location for sunset would also make an idea sunrise location, we headed back to Abol Bridge for sunrise. As the sun came up, clouds moved across the sky and danced around Katahdin’s peak, glowing in the warmth of the rising sun and reflecting again in the water below the bridge. I again used a Benro circular polarizer and a Benro 3-stop soft edged graduated neutral density filter to help equalize the sky and the foreground exposure.
After photographing sunrise, my friend and I went back into Millinocket and visited the Appalachian Trail Cafe for a good breakfast and to plan what we would do next. Unfortunately, we wanted to hike the Chimney Pond Trail but when we got into Baxter State Park, were told the lot was full. We selected the Hunt Trail as a backup and hiked along Katahdin Stream to Katahdin Falls.
We stopped several times along the trail to photograph the stream, and some of the plants along the way. It was a gorgeous early autumn day and we enjoyed every second of it. After reaching the falls, we turned around and headed back to the car to see what else we could see. We decided to head to Dacey Pond.
Dacey Pond provided us with a beautiful alpine lakeside setting. We set up near a cabin labeled “The Library” and photographed the sky reflected in the lake. I stepped up onto the porch of the library and found a nice composition with canoes lined up near the shoreline. It seemed a fitting final shot for the day.
There’s so much more of Baxter State Park I need to explore, and I need more time to do it. But I’m happy for the time I had last month.