Most tourists who visit Mount Desert Island and Acadia National Park, tend to stick to Bar Harbor and the Park Loop Road and visit the most heavily trafficked sites in the area. Unfortunately, this means they miss out on some of the most beautiful scenery on the east coast of the United States. There are plenty of nooks and crannies to explore that most people never get to. On a recent Hunt’s Photo Adventure to Acadia National Park that I was an instructor on, we visited some of the lesser known areas of the park, in addition to the tried and true destinations.
This fall, I will be teaching on the Hunt’s Photo Adventure to Solon, Maine. Located in Central Maine, Solon is the perfect location to capture the beauty of autumn in Maine. There are still some seats left, so register now!
It’s been eight years since I was last there, but Alaska is a place that has stayed with me every day since I’ve left. I was lucky enough to spend 10 days there in 2010, with 5 of those days spent camping in Denali National Park. We camped at Wonder Lake, and I remember how magnificent the view was as we rode the park bus all the way in to Wonder Lake Campground. The sun was shining with lots of clouds hovering around Denali like a crown on its head.
As we made camp, I was shaking with anticipation of the beauty that awaited us the next day. I had planned to hike the tundra, amongst the kettle ponds, grabbing shots of Denali reflecting in the glacial waters. The next morning, we took a flight over the mountains where I captured some of the most spectacular images of my life. However, shortly after our flight ended, the rains moved in and remained for two days.
The third day, the rains let up and we got some hiking in, but clouds continued to shroud the mountain and keep Denali in hiding. I was able to make a few images I liked, but it wasn’t what I had originally planned, so there was a level of disappointment. As a landscape photographer, you don’t always get to dictate the weather so I made the most of things.
The next day, we boarded the park bus around sunrise for the six hour trip back to the park entrance and four hour drive back to Anchorage. As we were riding along the park road, the skies began to clear and Denali showed her face through the clouds. It was still heavily cloudy, but the little peeks through the clouds made for some interesting images of the mountains.
Returning to Denali is definitely on my list, but the images I captured allow me to relive the last visit each time I look at them. To see more from my trips to Alaska, visit my website.
The Smokies are an amazingly beautiful location to photograph, featuring grand vistas with the mountains layered one on top of the other, mist hanging in the valleys, as well as intimate landscapes as water from a mountain stream cascades over rocks as wildflowers grow on the banks. Wildlife roams the park and it’s an excellent opportunity to capture the various species at home in the Smokies. I’ll be assisting Don Toothaker on this one. Don and I have over 50 years combined experience as photographers, and years of experience teaching photography to others. Join us in the Smokies and experience what a magical place it can be in springtime.
Midcoast Maine & Pemaquid Point
Wednesday May 16 to Sunday May 20
Mid-Coast, including Bristol, Maine
Featuring lighthouses, harbors, and the shore
Instructors: Rick Berk
Recommended prerequisite: Basic Knowledge of your Camera
Midcoast Maine is glorious any time of year, but can be especially fun in the spring. Since relocating to Maine in 2016, I’ve spent plenty of time exploring as many of the little nooks, coves, and villages of the midcoast. We’ll explore New Harbor, Pemaquid Point, Marshall Point, Port Clyde, and more. There will be opportunities for wildlife, featuring osprey and eagles preying on alewife as they make their spawning run. We’ll also explore some night photography if weather permits.
The first time I visited Maine, in 1998, the first place I visited, other than the bed and breakfast we stayed at, was Cape Neddick lighthouse, otherwise known as the Nubble light. The Nubble is a small rocky island about 100 yards off shore in the Gulf of Maine. The view of the lighthouse from the shore, evokes romanticized images of a lightkeeper diligently keeping watch, keeping the beacon illuminated to assist ships at sea. I found myself immediately drawn to the Nubble, as so many other photographers have been- Cape Neddick Lighthouse is among the most photographed in the world.
It’s been a while since I saw a truly spectacular sunrise at the Nubble, so on Monday I decided to head out and see if something would materialize. Unfortunately, the clouds hung around longer than the weather report I was following predicted, so I ended up with a gray morning without much color. Thankfully, the clouds moving through were dramatic, so I decided to think in terms of some dramatic black and white imagery. The surf was churning due to a storm at sea that had left the area the day before, so I knew the waves washing over the rocks would create interesting patterns as well, which would also render nicely in black and white.
For the main image in this post, I decided I wanted to try a long exposure. I’d been getting exposures of about 1/3 of a second and knew I wanted at least one minute. I had already been using a Benro 4-stop soft edge graduated neutral density filter to hold down the exposure in the sky, so I pulled out my Benro 10-stop neutral density filter to give me a dramatically slower shutter speed. My shutter speed for this exposure was one minute and 18 seconds. This allowed me to get dramatic movement in the sky and caused the water get a softer, misty look.
Since most of my work usually consists of more vibrant color, working in black and white tends to be a rare occasion for me. I did manage to get a few color shots as well. As the morning wore on the sun poked out from behind the clouds and added a little warm light to the scene. Then, I ventured back on Wednesday and sunrise was slightly more colorful. Just slightly. So after months of not having photographed the Nubble at all, I spent two mornings this week trying to capture new images there. I still haven’t gotten my spectacular sunrise there, but I’ll keep trying.
Last week I had the pleasure of being one of the instructors on a Hunt’s Photo Adventure in Woodstock, Vermont. We had a full class of attendees of varying abilities, and a beautiful area of the country to use as our subject. Workshops like this are fun because of the exchange of ideas that goes on between experienced photographers, and the numerous lightbulb moments that happen with the less experienced photographers when explaining various principles of photography, or helping them get past a specific challenge.
We based ourselves in Woodstock, Vermont, and visited several landmarks, such as Jenne Farm, Cloudland Road, and a maple sugar shack. Unfortunately, Mother Nature chose not to cooperate fully. While we had some fresh snow when we awoke Saturday morning, skies had been gray Friday afternoon when we started, and remained after the snow Saturday morning. Well, photographers nutty enough to get up before dawn and spend hours outside in the cold aren’t about to be deterred by a little flat light and gray skies! So we got out there and made images with the light we had.
I always enjoy seeing how different people see the same subject differently. It helps me to look deeper into a scene, look harder for a shot besides the obvious, and makes me a bit envious when someone sees something I didn’t! At the same time, I enjoy when I saw something differently than others did, and can help them see it as well.
The other challenge for me is the technical help people need with their cameras and lenses. This is less fun than the creative side for me, but just as important. When you have a group of 10 or 12 photographers, you can potentially get 12 different cameras. Not everyone needs assistance but you never know who will. Thankfully, I’m familiar with most brands to one degree or another, having put in seven years working for Canon, shooting Nikon for the past three and a half, and a Fuji kit for a year as well. I can pretty much find any setting on most cameras given enough time.
One of the highlights of my life as a landscape photographer was a gift given to me by my now ex-wife- a flight over the mountains in Denali National Park. I had been planning the trip for several months when she surprised me with this wrinkle for my birthday. It gave me an opportunity to see Denali in a way I had not seen before, and a way I had not planned.
The thing I most remember about the flight was how small it made me feel. We were 11,000 feet up (the ceiling for the bush plane we were in), and we STILL had to look up from the plane to see the tops of some of the peaks of the Alaska Range, including Denali itself, which was almost double our altitude in height.
As cloud cover moved in and around the mountains, I tried to capture as much of the view as I could- kettle ponds on the tundra, the mountains enveloped in puffy white clouds, glacial lakes, hidden in valleys where people rarely set foot. It was all breathtaking, and remains one of my favorite experiences that I’ve captured with my camera.