Last week, I posted Part 1 of my year in pictures for 2018. This week, I pick up Part 2 in July. It’s really been an incredible year, personally and professionally for me. I hope all of you have a great finish to 2018, and an amazing start to 2019.
As always, my work is available at my website in the form of prints, home goods, and more. Check it out!
As 2018 inches closer to the finish line, I always find it interesting and enjoyable to go back over the year through my photos, and remember who I was with, where I was, what I was doing, and what else was going on in my life at that moment. My images are very much a part of who I am, and while they may evoke different meanings for others, based on their own experiences at the places I photograph, for me, they are reminders of the accomplishments, challenges, and big moments of the past year.
2018 has been no different. Overall, 2018 was an incredibly good year for me. I did more exploring of Maine, found some new spots, revisited some old ones. Crossed Vermont off the list of states I hadn’t visited yet, and taught some workshops at some of my favorite locations.
This year, I found I had more photos than usual make the cut. I also wanted to give each photo some love and give a brief explanation of the image, so this edition covers from January through June. Stay tuned for part 2, which will be posted next week.
As always, all of my images can be purchased as prints at my website. Without further comment, here is 2018 in review, in chronological order:
The Nubble Lighthouse, in Cape Neddick, Maine, is a favorite for photographers, tourists, and locals alike. I first visited the Nubble 20 years ago on my first trip to Maine. It was a cold night in December and the full moon was up. There was snow on the ground and the Nubble was lit up for Christmas. It was magical, quintessential New England coast.
I took a few photos that night, on film, as I was three years from getting my first digital SLR, and unfortunately, I have no idea where those negatives are. But now that I live in Maine, I try to visit the Nubble every so often to try and capture something new.
It’s almost impossible to make a bad photo here. My preference is to photograph at sunrise, with the sky aglow and some color in the clouds, and when the tide is high to get dramatic waves crashing on the rocks. On this particular morning, the sky didn’t cooperate as I’d have liked, but the tide did. One of my favorite things is capturing water rushing over the rocks, so I tried a few compositions with varying shutter speeds to change the movement, and these were my favorites.
Ok… so… maybe I’m not the best at this blog thing. I’ve written here intermittently since about 2009, but haven’t really been consistent with it. The past two years I’ve tried to post more regularly, with varying degrees of success depending on what’s going on in my life. For the past few weeks, I’ve been going through images from 2018 trying to choose the best for my Best Of post to recap my year photographing. It’s fun for me to go back and look at images I made over the past year, and remember what life was like at those times.
As I was reviewing this year’s images, I realized that I hadn’t done a post reviewing 2015. 2015 was a pivotal year for me in my photography life. My career was totally turned upside down- I had left Canon USA the year before to join Lytro. For the first half of 2015, I criss-crossed the country training camera stores on Lytro’s cutting edge refocusing technology. While I was excited about this new tech, and their camera, I also still saw a place for traditional stills, so my Nikon (you read that right) was always with me as I traveled. In March 2015, Lytro threw up its hands, deciding that they didn’t have what it took to bring their ground-breaking technology to the photography world at large. I was kept around to help get rid of stock, but my time there was done by July.
So a good portion of this portfolio represents time when I was on the road for Lytro. And the rest is what I did after Lytro gave up and cut all us photo types loose, thinking they could make more headway developing for virtual reality instead. Spoiler alert: They didn’t.
2015 became a crossroads of sorts for me. My landscape work took noticeable steps forward. I saw a lot of personal growth, stemming from personal trials and tribulations. But I’m still here, still clicking, still growing. It’s amazing how much things can change in three years.
I know I just posted something like this a few weeks ago, but once again Fine Art America and I are offering free shipping on all U.S. orders, from November 22 through November 26. It all ends midnight EST on November 26th. Just one more thing to be thankful for!
While I’m at it, I want to thank all of my supporters who have purchased my work, or otherwise enjoyed viewing my images online. It means a lot to me that my work strikes a chord in people, whether I know them personally or not. I wish you all a happy and healthy Thanksgiving and holiday season.
When I first began traveling to Maine 20 years ago, Portland Head Light was one of those places that was just magical to me. The natural beauty and the aura of the lighthouse perched atop the rocky shore, waves pounding below, make it such a draw for photographers and tourists alike. One of the things I feared when I moved here was that, having this landmark in such close proximity would somehow diminish its meaning to me, and I would begin to take it for granted.
Just over two years after my move, I am happy to report that my fears were unfounded. I still love photographing the lighthouse, and the surrounding landscape, as often as I can. In many ways, having it so close by is too easy, and I must force myself to look elsewhere to capture the Maine landscape, for fear of overdoing it at Portland Head.
A couple of weeks ago, I was at work and noticed the sky was setting up for what could be a really beautiful sunset. Big puffy clouds, breaks in between, bright sun, and best of all, high tide with a full moon surf that meant big breaking waves on the rocks. My beautiful fiancée was kind enough to run my camera bag to me at work and once my shift ended, I raced over to Portland Head Lighthouse to capture the sunset.
I arrived 15 minutes before sunset and quickly made my way to the spot I envisioned for my shot. I knew, if the waves were big, I wanted to get a spot where the crashing on the rocks would be prominent. I also knew this one angle would allow me to face back to the west just a bit, to get the color from the setting sun in the shot. I scrambled over the rocks and made my way out to my perch. By this time, I only had a few minutes of light left, so I quickly started making some images. Since I was short on time and light, I concentrated on my first composition and just timing waves, trying to get the perfect wave on the rocks. After a few minutes I had one that I liked, so I changed lenses, and shifted my composition slightly to get something a little different. Where I was, I didn’t have a lot of room to change my angle, so the changes in composition have more to do with zooming than anything else.
As soon as I got my second shot, the park closing warning began, so I packed up and made my way home.
If you would like to support me and my art, consider purchasing a print or other item with my image on it at my website.
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To take advantage of this, all you need to do is visit Rick Berk Artwork Collections and find an image you like! For an added bonus, only for readers of my blog, use code BBFTRJ to receive an additional discount. Don’t wait, the offer ends Sunday night at midnight!